Christina Bryer began her career as a jeweller.

In 1998, she studied ceramics in London. When she came across Penrose’s aperiodic tiling, she began incorporating the principles into her porcelain mandalas.

Her work is therefore based on the highest forms of geometry, yet the same patterns are found in unicellular organisms, and a cross-section of a strand of DNA, and has been called the geometry of life. Aperiodicity also describes a slice through 5th dimensional hyper-space - the geometry of the cosmos.